Anamnesis is a long poem. It was the winner of the 2008 Slope Editions Book Prize.
It was also recorded and released as a 12" by Flying Object/Unicorn Evil, in 2011.
"The word 'anamnesis' relates to how a person arrives at knowledge. In the Platonic sense, it suggests the recollection of ideas which the soul knew in a previous life. In a clinical sense, it is the full medical history as told by a patient; in the Christian sense, it is a Eucharistic prayer; and in immunology, it is a strong immune response. All of these meanings relate to the central concept of this fine collection, how a writer 'finds' and/or 'makes' meaning and deals with the temporary nature of the act, how even our most vital life stories are provisional at best, and how erasure becomes part of the process itself. We are asked to reflect on what previous life brought these sentences to the page, what history of illness or wellness caused the words to form this way, what invisible prayer was erased even before meaning was posited."
— Maxine Chernoff, from the Introduction
"Powered by the refrain-directive 'write,' and 'cross out,' the content of Lucy Ives’ most recent work, Anamnesis, remains under active, sustained deliberation throughout. In this single long poem, her first book, Ives stalls writing at its inception so that a central question—what can be acceptably written here?—hovers over the poem and induces it."
"This is an important book: I’ll come back to it."
"The simple concept Ives has chosen for her collection of poems is ingenious. Anamnesis belongs not among stacks of experimental poetry, but with the ambitions of conceptual visual artists who sought to replace the object with the assumptions and intentions behind it: Rauschenberg’s erasures of de Kooning or Ceci n’est pas une pipe are closer to the kind of infinite aesthetics of Anamnesis than those of contemporary poetry. Ives has replaced the book with the act of reading and response. The book does not become the book, does not become itself, until we engage with it. For the elegance of its iteration alone, it merits our attention."
"By not holding to one thought, Ives triggers many; we become the writer and the reader of multiple poems. Anamnesis is a new reminder of the fluidity of our roles and our memories. The reader’s experience is not passive, and the stylistic choice to expose poems and the writing of them for what they truly are—decisions and regrets and half-truths—is refreshing."
"Ives highlights the poetic occupation of establishing comparative structures only to torment the linguistic foundations on which they are based. The text occludes the making of a manageable recollection, since the thing remembered is at once mutable and disposable. This effect both carries and calcifies content: the afterimages of words and meanings appear and disappear in real time, and are reminiscent of the erasures and alterations found in William Kentridge’s animated films. Like Kentridge, Ives performs a kind of mental trickery as the medium allows for the appearance of progressions. Kentridge’s drawings—when captured in succession—create the illusion of movement, much as Ives’ constructions collect meaning—jerking through affirmations and negations, reflecting the false starts and reboots of living."
Date: December 30, 2009
Publisher: Slope Editions